To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure? The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.
The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages.
The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. Junk MTV quiz graced by fox whelps. Bawds jog, flick quartz, vex nymphs. Waltz, bad nymph, for quick jigs vex!
Fox nymphs grab quick-jived waltz. Bright vixens jump; dozy fowl quack. Quick wafting zephyrs vex bold Jim. Quick zephyrs blow, vexing daft Jim. How quickly daft jumping zebras vex. Century Schoolbook has become a synonym for readability. Century Oldstyle by Bitstream Century by Bitstream Century was designed by Rudolf Ruzicka and published by Bitstream.
Century contains 8 styles and family package options. Century was published by Bitstream. Century contains 4 styles and family package options. Century was designed by Heinrich Hoffmeister and published by Bitstream. Century contains 6 styles and family package options. Century Expanded contains 2 styles and family package options. Century Schoolbook contains 4 styles and family package options. Blue Century by T Blue Century was designed by Benoit Desprez and published by T Blue Century contains 1 style.
Century Gothic by Monotype Century Gothic maintains the basic design of 20th Century but has an enlarged x-height and has been modified to ensure satisfactory output from modern digital systems. The design is influenced by the geometric style sans serif faces which were popular during the s and 30s. The Century Gothic font family is useful for headlines and general display work and for small quantities of text, particularly in advertising.
The already existing 4 weights of Regular and Bold with their Italics are additionally still available in the STD character set. ITC Century contains 16 styles and family package options. Century Expanded by Adobe The result, in , was a roman type called Century Roman; a large x-height gave Century Roman the appearance of being condensed.
Century Expanded by Linotype In , Linn Boyd Benton finished a commission for a new text typeface with the American periodical, Century magazine. Century is typical of the neorenaissance movement in typography at the end of the 19th century. Twentieth Century by Monotype Twentieth Century was designed by Sol Hess and published by Monotype. Twentieth Century contains 34 styles and family package options.
Twentieth Century by Pelavin Fonts Twentieth Century was designed for the cover of a collection of 20th Century French Poetry and was drawn with the intention of using only pure geometric shapes.
It is the distillation of a broad variety of styles loosely known as Art Deco but, also categorized under such terms as Moderne, Streamline, Machine Age, Futurist, 70s Art Deco, Memphis among others. Selectric Century by Indian Summer Studio Brown Fox by Wilton Foundry BrownFox was created because I saw a need for a condensed, loose handwriting - I used my trusty nylon marker to create this font - it is rough, yet thin and elegant.
Alpha Fox by Wiescher Design Alpha Fox is another one of my experimental Alpha-series designs. I closely looked at a gas station receipt and was surprised to see those distorted pixelated letters that jumped up and down as they liked.
I immediately thought I'll give it a try. Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality.
Fox Grotesque by TipografiaRamis Fox Grotesque is another member of the Fox Family and stylistically finds itself between Fox TRF with some extreme curly lowercase letters , and Fox Sans a cold geometric sans-serif. While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials.
Lazy Fox by Pixel Colours
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