It can easily be integrated into both analogue and digital studio setups, as well as complex live rigs. Alternatively it can be used as a super-versatile stand-alone solution. With some of these sockets you can even select on a preset to preset basis where in the signal chain they should be placed. But the classic 4x12 look and amp feel are possible too: simply turn off the power amp and cabinet simulation and play through a valve power amp and a real cab. The direct feed to the mixing desk can still use the power amp and cab simulations.
Its central heating system consists therefore not of tubes, but of two high-performance processors. The way tubes and the other components of tube amps work has been comprehensively researched and is well known. Now, in the year , it is quite possible to calculate and reproduce every aspect of such processes — provided the right hardware and the correct calculation methods are employed. Of course, it is still anything but easy — as the rather less than satisfactory efforts of many other companies have proven and, indeed, unprecedented amounts of research were necessary to achieve the simulation quality of the Axe-Fx II.
But those who have heard what it can do and have experienced for themselves how directly it follows your playing know one thing for sure: the hard work has paid off.
And vacuum tubes were yesterday…. And not only that — the placement of the effects and the way they were wired up is also saved. Even with all this variability the Axe-Fx II nevertheless offers amazing user-friendliness and ease of use. Straight out of the box of these slots are taken up with factory presets that either demonstrate the various different amplifier models or provide examples of complicated routings that you can then integrate into your own patches.
For every single preset slot there is a backup that allows you to restore either the most recently saved backup version or the works sound. This means you can experiment as much as you like without having to worry getting to a gig and finding your sounds have disappeared. Switching between X and Y allows more versatile use of presets, thus reducing the number of different presets you actually need in any given situation.
If you want to send your guitar signal into a cabinet first, then through two delays and two amps in parallel and finally into a wah, just go ahead. The signal levels are automatically adjusted internally, so there is no need to worry about ohms and voltages and the like — your virtual amp will not explode if you feed its input with the output of another virtual amp.
The stereo effects loop can also be placed anywhere within the routing grid, making it an easy job to integrate the unit into a larger rig. In the studio MIDI automation is often useful and we know some solo entertainers who program the required sound changes into the MIDI data of their backing tracks to enable automatic program changes when performing live.
Perhaps you would like to have less reverb when you play low notes? Or maybe you fancy a seamless blend into another amp with a completely different sound when you play further up the neck?
Or how about creating a super-dynamic amp that automatically turns up the master volume when you dig into the strings more? Total Studio 3. Choose your Total Studio 3. A massive collection of authentic sounds and instruments. The 50th anniversary of 4 iconic tape machines for T-RackS. The magical all-in-one analog studio for T-RackS.
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Post a Comment. This Blog is all about Led Zeppelin and sharing every known concert recording bootleg spanning their career - My goal is to help others in finding these historic shows! These shows are a time machine into the past that allow us people of today to enjoy the Led Zeppelin experience in true, raw form, straight from the tapers!
I believe everyone should be able to enjoy these shows! And I really appreciate all of the Tapers who made these shows available!!! I may not have every single bootleg available, but there is at least one for every date known to have been recorded.
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